Still puffily padded but no longer particularly tart, this shape-shifting classic about the girls you love to hate retains its ingratiating charms
In the whimsical world of high school hierarchies and the timeless allure of mean girls, Tina Fey and Lorne Michaels bring back the cult classic with a musical twist in “Mean Girls.” This latest iteration, directed by Samantha Jayne and Arturo Perez Jr., keeps the essence of its predecessors while adding a melodic spin to the familiar tale. While not escaping the accusation of being over-padded, the film manages to weave its charms, proving that some stories are just too good to let go.
The Evolution of ‘Mean Girls
Can a movie musical derived from a Broadway adaptation, which, in turn, was inspired by a film comedy based on a parenting book, live up to the hype? In the case of “Mean Girls,” the answer is a resounding yes. Fey and Michaels have skillfully retained the essence of the 2004 movie that became an instant classic. Despite its transformation into a Broadway production and now a film musical, the core narrative, centered around the notorious Regina George, remains as captivating and relatable as ever.
Back to High School Hell
The plot follows Cady, portrayed by the endearing Angourie Rice, a bright teenager thrown into the tumultuous world of high school after being homeschooled in Kenya. The reign of the queen bee, Regina George (played with oomph and swagger by Reneé Rapp), sets the stage for a journey of self-discovery, betrayal, and ultimate triumph. The familiar elements of high school life—nerds, jocks, alpha and beta personalities—are all there, creating a tapestry of teenage drama that resonates with audiences.
From Stage to Screen
The transition from stage to screen has led to some song cuts, but the musical numbers that remain, particularly “Meet the Plastics” and “World Burn,” inject energy into the film. Rapp’s Regina, clad in dominatrix-lite attire, steals the show with her commanding performance, injecting the movie with the charisma it needs.
Direction and Visuals
Directors Samantha Jayne and Arturo Perez Jr., in their feature debut, infuse the film with bright colors and occasional visual flourishes. They play with the fourth wall, incorporating smartphone images and screens within screens to emphasize the omnipresence of social media. While visually engaging, the movie occasionally lacks the immersive quality that could elevate it beyond being merely ornamental.
Familiar Faces and Unchanged Fundamentals
Despite some tweaks by Fey and the addition of notable names like Jenna Fischer, Jon Hamm, and Busy Philipps, the film adheres to the template set by its predecessor. Fey reprises her role as the wisecracking teacher, and Tim Meadows returns as the alarmed principal. The fundamental truth that gave the first “Mean Girls” its tension persists—the film loves its title characters. Regina remains an irresistible force, thanks to Rapp’s powerful portrayal.
Conclusion: The Love-Hate Dynamic
As the “Mean Girls” legacy continues, the world’s fascination with mean girls endures. The film, while acknowledging the changing times, still revels in the timeless appeal of its title characters. In a world that loves and hates mean girls with equal fervor, the latest installment proves that Regina George and her clique are here to stay. Despite the occasional over-padding, “Mean Girls” remains a delightful, charming, and, dare we say, fetch addition to the beloved franchise.
